You may have noticed that I haven’t written anything much lately. You may, of course, having many other things to concern you in this wide and dangerous world, not have noticed at all, but we’ll let that slide; I’ll assume the former, and apologise. I’ve been pretty busy, having just moved to London and started a new job, and don’t seem to have been able to find the time to write – or rather, as I have if anything more time to myself than I did before, I don’t seem to have been able to enter the writing frame of mind.
Partly this is down to simple disruption and tiredness. I do my best work (I think) second thing in the morning, after a good night’s sleep and walking the dog; the first few sentences form on the walk, with the gist of the rest pacing behind, and when I get back I make a pot of coffee and write them down. With no such routine in place, and with my main walk of the day taking me to work, ideas simply have no space in which to land. More subtly, perhaps, I think the newness has shaken me.
So much writing, of all kinds but particularly about the craft of cooking, comes from a position of wisdom or at least authority. If we are to take advice on what is after all the most fundamental and universal of human activities, then we rightly expect the advice-giver to know more about it than we do, whether we think that knowledge was handed down over generations (as we assume with ‘ethnic’ food writers) or forged over years of training, thought and research, as with professional cooks and writers.
Part of what stuck in the craw from the now-stalled ‘clean eating’ movement was the fact that the pampered children at its helm obviously lacked both breadth and depth of knowledge in their assumed field, despite their posturing assumption of authority both medical and culinary; they claimed theirs was the only way when it was the only one they had ever tried. At the other end of the scale, you have chefs like Shaun Hill of the Walnut Tree and Stephen Harris of the Sportsman, the last of whom is finally publishing a cookbook after nearly twenty years of running probably the best kitchen in the country (I don’t count anything with two stars or more as really cooking); you can be sure their authority and even wisdom is absolute. Everyone else, I suppose, falls somewhere in the middle.
In reality, of course, no-one ever stops learning, or rather they shouldn’t; the fact that I am again learning new techniques and facts not just from reading but personally from others with far greater experience than me is no reason to stop writing – at the very least I guess I should be taking notes. I learnt the other day, for example, that it is some compound in the dripping steam that makes covered pans of vegetables go that sickly grey; leave the lid off for brighter greens. I suppose I might have learnt that for myself, if I have ever finished reading Harold McGee cover-to-cover as I planned. I didn’t, though, and so was happy to hear it from someone who had winnowed a relevant fact from those masses of words, and applied it to the first flush of sweet French peas.